What happens to language in this world? Does it wither without listeners? Or does it take on new shapes — muttering, reciting, performing, reminding? You invent dialogues with yourself, stage arguments, tell stories that begin and end in your own mouth.
Language here is not destroyed by solitude. Instead, it turns inward, proliferating as an echo chamber of reflexive alignment. Words point not to external hearers but to positions within the self — the speaker to whom you must explain, the critic who interrupts, the confidant who reassures.
The language without listeners shows us that meaning does not depend on exchange with an external other. Rather, it lives in the architecture of roles that language makes possible. A sentence always presupposes an addressee, even if that addressee is only a shadow-self conjured into being by the act of speaking.